Wednesday Season 2: Still Creepy, Kinda Kooky, But a Bit of a Mess

Alright, Wednesday Season 2 is here, and if you were expecting another round of Jenna Ortega’s deadpan snark and Tim Burton’s gothic weirdness to hit the same high as Season 1, well, buckle up. It’s a wild ride, but not always the good kind. This season’s got more Addams family, more monsters, and more drama, but it’s also juggling way too many ideas at once. Let’s unpack this spooky, messy sequel, keepin’ it real and not sugarcoating a thing.

What’s the Deal? Nevermore Gets Crowded

Season 2 drags Wednesday Addams (Jenna Ortega, still a total boss) back to Nevermore Academy, where she’s less than thrilled to be the school’s resident hero after Season 1’s big showdown. The vibe’s still dark and witchy, with new creepy mysteries popping off—think shadowy stalkers, weird psychic visions, and some grim murders tied to, I dunno, crows or something equally on-brand for the Addams crew. The family’s all up in this season too, with Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán) hanging around campus, plus Pugsley (Isaac Ordonez) as a new student, which sounds fun but ends up feeling like they’re trying to cram a whole Addams Family reunion into a school story.

The season’s split into two parts—four episodes each, dropped a month apart—which feels like Netflix saying, “Hey, let’s stretch this out for maximum cash.” Part 1 sets up a ton of questions but doesn’t answer much, leaving you annoyed until Part 2 rushes in to clean up the mess. It’s not a great setup, and the pacing takes a hit for it.

The Hits: Ortega’s Still Queen, and the Aesthetic Slaps

Let’s get one thing straight: Jenna Ortega is the reason to watch this. She’s Wednesday to a T—every side-eye, every sarcastic jab is perfection. Whether she’s staring down a new villain or tossing out lines like she’s allergic to emotions, she carries the show on her braided pigtails. There’s an episode where she swaps vibes with her werewolf roomie Enid (Emma Myers), and it’s straight-up hilarious—Ortega doing perky is a gift we didn’t know we needed.

The visuals are another win. Tim Burton’s fingerprints are all over this, with foggy graveyards, creepy critters, and a color palette that’s basically black, gray, and more black. There’s a scene with some stop-motion weirdness that feels like it fell out of Corpse Bride, and it’s glorious. Nevermore’s spooky campus still looks like a haunted Hot Topic, and the Addams family’s quirky cottage is peak gothic cozy. If you’re here for the vibes, you won’t be disappointed.

Emma Myers as Enid is still the sunshine to Wednesday’s storm cloud, and their friendship is the heart of the show. The new kid, Agnes (Evie Templeton), brings some creepy-cute energy as an invisible student, and her scenes with Wednesday and Enid are a nice touch. Thing, the hand, gets some love too—there’s a moment where he’s basically the MVP, and I’m not mad about it.

The Misses: Too Many Cooks in the Creepy Kitchen

Here’s where it gets dicey. Season 2 is trying to do everything. You’ve got Wednesday’s mystery, family drama, Enid’s werewolf woes, Pugsley’s weird pet projects, and a dozen side characters all fighting for screen time. It’s like the writers had a brainstorming session and said, “Yeah, let’s use all of these ideas at once.” The result? A plot that feels like it’s tripping over itself. The big mystery—something about a creepy villain and ominous birds—starts strong but gets lost in a tangle of subplots that don’t always connect.

The split-season thing doesn’t help. Part 1 is all setup, no payoff, like a cliffhanger that forgets why it’s hanging. Part 2 tries to wrap things up but feels like it’s sprinting to the finish line, tossing out answers that don’t always satisfy. There’s also a weird tonal wobble—sometimes it’s campy and fun, other times it’s grim and gory, and it doesn’t always mesh. The humor’s hit-or-miss too. Wednesday’s one-liners are gold, but some of the side gags—like a random teacher’s slapstick bit—feel like they belong in a different show.

The Addams family overload is another issue. Morticia and Gomez are great in small doses, but having them hover around Nevermore makes the show feel less like Wednesday and more like The Addams Family: School Edition. Pugsley’s arc is fine but doesn’t add much, and Grandmama (Joanna Lumley) pops in for some cackles but feels underused. It’s like they wanted to give everyone a moment but forgot why we’re here: Wednesday’s story. Cameos and Newbies: Some Sparkle, Some Fizzle

The season throws in some big names, but they don’t always land. There’s a cameo from a certain pop star (no spoilers, but you’ll know her) that feels like a TikTok stunt to chase Season 1’s dance hype. It’s fun for a second but doesn’t add much. Gwendoline Christie’s ghostly return as Weems is a highlight—she’s got this sly, haunting vibe that steals scenes. Steve Buscemi as the new principal starts off creepy-cool but gets shortchanged by a rushed arc. Other new faces, like a quirky groundskeeper, pop in and out without leaving a mark.

The Verdict: Fun, Flawed, and Worth a Watch

So, is Wednesday Season 2 worth your time? If you loved Season 1 for Ortega, the gothic vibes, and the Wednesday-Enid dynamic, you’ll probably dig this too. It’s got enough creepy charm and standout moments—like that body-swap episode—to keep you hooked. But the overstuffed plot, wonky pacing, and split-season nonsense make it feel like a step down from the first season’s tight, kooky magic. It’s still a fun watch, especially if you’re down for Burton’s weirdness, but don’t expect it to blow your mind.

The finale teases some big stuff for Season 3—new threats, deeper family secrets, and more Enid-Wednesday shenanigans. If they can dial back the chaos and focus on what makes the show great (Ortega, vibes, and a sharp mystery), there’s hope for a killer third season. For now, Season 2 is a spooky, messy ride that’s worth streaming for the highs, even if it trips over its own cape a few times.

Final Take: Wednesday Season 2 brings the gothic goods with Ortega’s pitch-perfect performance and Burton’s creepy flair, but it’s bogged down by too many plots and a clunky split-season format. Grab a black coffee, enjoy the vibes, and don’t sweat the messy bits too much.