
District 9 (2009) Review: Becoming the Monster
District 9 (2009) Review: Becoming the Monster

OMG, you remember that movie everyone was screaming about back in, like, 2009? Not the blue people one, the other one. With the aliens. And the prawns. And that one guy who has the worst day in the history of ever. Yeah. That one.
- Title: District 9
- Director: Neill Blomkamp (this was his big bang, man)
- Key Cast: Sharlto Copley (a literal who at the time, which is genius), Jason Cope, and a whole lot of non-human performers.
- Genre: Sci-Fi Action... but like, the kind that makes you feel icky and question your entire existence.
- Runtime: A tight, mean, and lean 112 minutes. No fluff.
- Release Date: 2009, a wild time for cinema.
- Rating: R, and thank the gods for that. This ain't a family flick.
The Lowdown
Hang on a second, let me set the scene for you. Imagine if a giant alien spaceship just... stopped. Right over Johannesburg. Not New York, not L.A., but Joburg. And then we find out the aliens inside aren't sleek, hyper-intelligent overlords. They’re sick, starving, and completely leaderless. A refugee crisis, but with extra legs and a serious craving for cat food.
So what does humanity do? We stick them in a slum. Called District 9. And after like, two decades of this not working out so great, a mega-corporation called Multi-National United (MNU, ugh, even the name sounds evil) gets the contract to forcibly relocate the 1.8 million “prawns” to a new camp. District 10. Sounds nicer, right? It ain't.
Our main dude is Wikus van der Merwe. Oh, man. Wikus. He’s this hilariously dorky, pencil-pushing MNU office clerk played by Sharlto Copley. He’s the guy who probably reminds the teacher about homework. And they put him in charge of leading the eviction, serving eviction notices to a million heavily armed, pissed-off aliens. What could possibly go wrong? Wanna hear something crazy? While serving one of these notices, Wikus gets sprayed in the face with a mysterious black fluid from an alien canister. And that, my friend, is where his truly, epically, cosmically bad day begins. His core problem shifts from "gotta hit my eviction quotas" to "holy crap my fingernails are falling out and I think I'm turning into one of the prawns myself."
Dude. This movie. I rewatched it for this and it still hits like a freight train. It’s aged like a fine, gritty, oily wine.
The Vibe
Seriously, though, the vibe is... unmatched. It feels grimy. You could probably smell this movie. It starts off like this hyper-realistic mockumentary, all shaky cam and talking-head interviews, and you’re like, "Oh, cool, a sci-fi doc." But then it slowly, masterfully, morphs into this full-blown, heart-pounding, body-horror action nightmare. It’s like if a BBC documentary got into a horrific car crash with The Fly and RoboCop. The whole thing has this low-key, found-footage authenticity that makes the absolutely bonkers sci-fi elements feel terrifyingly plausible. You’re not watching a polished Hollywood fantasy; you’re watching a snuff film from a possible future. It’s a vibe that’s equal parts fascinating and deeply, deeply unsettling.
Shout-Outs
Where do I even start? This flick is a masterclass in doing so much with so little.
First off, the whole freaking concept. Setting this in South Africa isn't just some random choice. It’s genius. It immediately loads this story with the weight of apartheid, segregation, and "othering" without having to spell it out in big, dumb letters. The allegory isn't subtle, it's a sledgehammer, and it needs to be. We’re watching a story about a species being shoved into ghettos, exploited for their resources, and treated like sub-human garbage. And the guy leading the charge is a smiling, bureaucratic fool who’s just “following orders.” It’s chilling because it’s so damn recognizable.
And Sharlto Copley. BRO. His performance is kinda insane. He wasn't even supposed to be the lead actor! He was the producer helping with the mockumentary bits! But his performance as Wikus is one for the ages. He starts off as this unbearably cringey, corporate dweeb. You lowkey hate him. He’s racist towards the prawns, he’s incompetent, he’s a joke. But then his transformation begins. And Copley sells the sheer, unadulterated terror and desperation of a man losing his very humanity. The physical acting, the way his voice cracks, the panic in his eyes… it’s a raw, unhinged, and utterly brilliant piece of work. You go from laughing at him to being utterly horrified for him. It’s a wild ride.
Let’s talk effects. For a movie that cost, like, pocket change compared to other blockbusters (a rumored $30 million), the visual effects are still absolutely stunning. The prawns. They look REAL. The way they move, the grime on their exoskeletons, the expressiveness in their weird little faces—especially Christopher Johnson, the smart prawn, and his adorable son. You forget you’re looking at CGI. They feel like living, breathing creatures with their own culture and struggles. And the weapons! OMG the weapons. They’re so visceral. When a body explodes from an alien energy gun, it’s not a clean poof. It’s a messy, chunky, red mist. It has weight. It has consequence. This gritty, practical-feeling effects work is a testament to the genius of blending CGI with live-action footage. It’s a style that feels more real than a billion-dollar Marvel movie.
Also, highkey, the relationship between Christopher Johnson and his son is more heartfelt and genuine than most human relationships in other films. You genuinely root for them. You want that little prawn kid to make it.
The Niggles
Okay, not gonna lie, no film is perfect. Not even this one.
My main niggle? The second half goes full-throttle action hero, and while it’s awesome and thrilling, it does lose a tiny bit of that grounded, mockumentary feel that made the first act so special. The camera becomes a bit more conventional, less like a news crew desperately trying to keep up. It’s a minor quibble, because the action is so dang good, but you do notice the shift.
Also, the Nigerian gangsters in District 9. Woof. This is the one element that’s aged a bit poorly. They’re portrayed as almost cartoonishly superstitious and violent, dealing in alien weaponry and, I kid you not, believing they can gain the prawns' power by eating their body parts. It’s a wild caricature that leans into some ugly stereotypes. I get what Blomkamp was going for—showing another human group exploiting the prawns—but the execution feels a little one-note and clumsy compared to the nuanced allegory everywhere else.
And finally, a personal thing… the constant, constant shaky cam in the first half. I know, I know, it’s part of the style. But man, sometimes you just wanna see what’s happening without feeling like you’re on a boat in a hurricane. It can be a tad nauseating. Just a heads-up if you’re sensitive to that stuff.
Wanna hear something crazy? I remember watching this for the first time with my buddy Dave. We were just expecting a cool alien shoot-em-up. We got popcorn, settled in… and by the end, we were just sitting in silence, the credits rolling, our popcorn untouched. Dave just looked at me and went, “Well, that was… a lot.” And it is. It’s a lot.
Verdict
9/10 “Prawns to the Wall”
Yo, this movie is a stone-cold classic. A gritty, inventive, and brutally effective piece of sci-fi that punches so far above its weight class it’s not even funny. It’s the kind of film that reminds you why you fell in love with the genre in the first place—it’s not just about cool lasers; it’s about ideas that stick in your craw and haunt you for days.
Who it's for: Sci-fi fans who like their stories with a heavy dose of social commentary, body horror enthusiasts, anyone who appreciates groundbreaking low-budget filmmaking, and people who just want to see a man have the absolute worst day imaginable.
Who it's NOT for: Anyone looking for a light, fun, feel-good time. If you want neat, tidy answers and a happy ending for everyone, look elsewhere. Also, if you’re squeamish about body transformation or gore, maybe give this one a pass. It gets messy.
Final closing advice? Man, just watch it. Or rewatch it. District 9 is one of those flicks that deserves to be seen and talked about forever. It’s a shame we never got a proper sequel, because the world it builds is so rich and terrifying. It’s a high-water mark for thinking-person’s sci-fi. Now if you’ll excuse me, I’m suddenly craving some cat food. Weird.
References
- District 9 on IMDb: https://www.imdb.com/title/tt1136608/
- The Cinema of Neill Blomkamp: https://cinewatched.com/director-spotlight-neill-blomkamp/
- Best Sci-Fi Movies of the 2000s: https://cinewatched.com/top-sci-fi-films-2000s/
- The Art of the Mockumentary: https://cinewatched.com/mockumentary-film-style-guide/
- Sharlto Copley's Unforgettable Roles: https://cinewatched.com/sharlto-copley-best-roles/
